Rhinoceros deliberately reduces the status of the art object, lowering it to the level of an everyday disposable item. Comic-like images derived from Eugène Ionesco’s Rhinoceros are drawn on toilet paper—a surface designed not for contemplation but for use.Here, the work is no longer an object to preserve but something to touch, consume, discard, or even frame. Its value lies not in permanence but in the process of encounter. This encounter takes place in a space usually considered outside the realm of art: the bathroom.Simple rituals—sitting, pausing, looking, using—become part of the work’s experience. The audience is drawn into a performance that occurs not on stage but within the fabric of everyday life. Rhinoceros pulls the artwork down from its elevated position to reveal how performance can operate within the most mundane and private moments.